In the piece titled True Potential, the viewer is invited to unlock her true potential through repetition by repeating the statements into the mirror. The gallery's bathroom was transformed into a sanctuary space with a series of personal affirmations. The use of instructional text to stimulate behavior and promote an awareness of the body and mind harkens to Bruce Nauman’s Body Pressure, 1974. A soothing soundtrack plays within the space. Jack Goldstein appropriated "atmospheric" electronic music collected from special effects sound libraries. These imaginary soundtracks for distant heavenly bodies, or planets are re-appropriated by Alexa Gerrity in a (mirroring effect) to further promote the self-help context.